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Secrets Of A Digital Evangelist (Mediapost 3.21.12) 0

The role of the digital evangelist inside a large brand can be a difficult one.  The road is marred with people who’ve taken on that responsibility before, and in many cases they’ve left feeling unfulfilled at best, or battered, bruised and beaten at worst.  It can be a thankless job as you spend every waking hour developing innovative strategies, evaluating an endless stream of intelligent, venture-backed companies and holding one-on-one meetings to educate and expand the horizons of your colleagues.  But don’t lose hope!  The day of reckoning is upon us (or at least its very, very close).

I know many people who’ve played that role in brands, and I’ve played that role in agencies that wanted to drag their brands kicking and screaming into the digital age.  It can be considered a pretty sexy job, to be positioned as the expert in a trailblazing category of media.  It can also drive you crazy, because more often than not you’ll get buy-in from people in face to face meetings, but when push comes to shove and the dollars are being allocated, you may not see your conversations come to a satisfying fruition.  To be successful in that role, wherever you may be, I do have some advice…

1. Start At The Top

When you first take on that role, even in the interview process, you want to go as high as you possibly can in the organization to get buy-in on innovation.  Speak to the CMO, but also speak to the CEO and the CFO if you can, because most of the time the budget allocations for marketing include all three, not just the CMO.  You want general buy-in from all the involved parties that innovation is looked on favorably in the organization, and that your ideas will be supported and the first place to cut the budget won’t be in the innovative marketing bucket.

2. Focus On Key Colleagues

This is a political decision, but it is an important one.  You need to focus your efforts on no more than three people in the organization at the brand manager level, or possibly the director level, who are interested in being, and want to be viewed as, innovative.  These are going to become your best friends in the organization.  They will control specific budgets, they’re going to want to advance in their careers, and they’re going to be interested in digital.  You invite them to meetings, you engage them in healthy discussion, and bring them to dinners, parties and events.  I know it sounds a tad bit cheesy, but these are the people you want tied to your hip.  You want them to go to bat for the ideas you develop together (yes – together).  The rest of the people should be involved, but you will know quickly who your lowest-hanging fruit allies will be and the rest may end up playing second fiddle.

3. Don’t Take Center Stage All The Time

This one is not so easy.  You need to make sure that the ideas you created, or were involved in, are seen as coming from other places in the organization.  You are to be the “man behind the man” or the “woman behind the woman”.  It’s your job to make sure everyone else sees the benefit of the digital platform, and that they’re perceived of as innovative.  You don’t need the attention because everyone will know you were involved, and that is good enough.  It’s your job to evangelize the platform, not take all the credit.  That may mean you miss out on the internal award at the marketing conference, but that’s ok.  You can’t take an award to the bank and cash it in – you get compensated on other metrics and those are what you should be focused on.  If your partners win, you win.

Of course, patience is also a must in this role, because at least half of your ideas will never see the light of day.  That doesn’t mean you shouldn’t work on them.  Think of it as practice.  You need to put in the time, and sharpen the pencil that is your brain, in order to come up with the best ideas.  The best ideas are the ones that will succeed and you will be viewed as a success as a result!

Posted on: 03-23-2012
Posted in: treffiletti.com

Five Scary Client Stories To Tell In The Dark 0

Picture it: You’re sitting around a campfire and swapping stories of your worst client engagements — tales beyond moments of annoyance, and way past discomfiture. We’re talking the sorts of experiences that could be called disastrous were it not for the fact that ultimately it’s only advertising.
In general, I detest stories that place the blame on clients — or agencies for that matter — when an engagement is supposed to be a partnership. While it will be clear from these stories that partnership was not the client goal in each case, the agency bears responsibility for these snafus as well. But each of these incidents makes both a good story and a great opportunity to learn from the mistakes and missteps of others.But at the time people were going through these events, minds and stomach linings were consumed in prodigious quantities
Oh, enough of my caveats. I interviewed a few agency people to collect some good “horror stories” for your amusement and edification. Each teaches a lesson — to both agencies and clients — about how to make relationships and projects work better.

Scary story 1

Losing tens of thousands for lack of a $30 credit checkAn old friend tells of a time that an agency — a big ‘un — got so excited about the prospect of a massive web project that it jockeyed for the account without doing any due diligence on the company it was courting:

They were looking for a big e-commerce site, which would have given us the opportunity to show how well our team was aligned with a back-end web dev company that our holding company had just acquired. The prospect client threw out a budget that was astronomical — three or four times the cost of any previous web project we had done. We jumped at the chance and signed a contract within three days of the initial inquiry.

The instant the contract was signed, the client became an absolute nightmare, speeding the timeline by 60 percent and tearing out the hearts of four project managers who were assigned to the account in succession. The average tenure for PMs on this gem of an assignment was about four days. One person quit the industry as a result of the project:

Finally, the agency found someone in the account team who could deal with the evil and bile, and the project got on track. A week or so in, the A/P team first sounded the alarm that the initial payment had never been received. There followed several weeks of “it’s in the mail,” “we have record of it being signed for,” and “how dare you ask me about this again.”

About four weeks into the project, someone typed the names of the website founders into Google. The results page exploded with lawsuits, complaints, and invective-filled blog posts about the clients and how they had garnered web work in the past without ever paying a cent. The agency called the client to tell it work would stop until payment was received. And the agency never heard from the client again.
Lesson for agencies and clients: A credit report costs $30 or so. A Google search even less. Don’t be intimidated into foregoing basic due diligence. Separately, clients need to ensure that their agencies have the financial stability to do jobs as well. While this wasn’t an issue in this case, that is a problem that happens with some frequency these days.

Scary story 2

The client that wanted the agency to take the legal riskI heard from one person who was working on a vitamin supplement brand. That person was directed to put certain claims in banners that would be extremely compelling, if they were true:

We got started on the project before all of the terms of the contract were agreed to, but with a payment already made by the client to cover the costs of early development. Fortunately, the copywriter had worked on supplements before, and was aware that the FTC has strict rules on what can be said — and not said — about supplements.

When the client sent back the contract terms and conditions, it had crossed out provisions that stated that the client bore ultimate responsibility for the legal risk. In short, the company was unwilling to back the very claims it wanted made in the advertising.
Despite great pressure from the client, the agency refused to traffic the ads and lost the business. And likely averted tremendous legal consequences for false statements:

Soon after, the individual client was fired from the company. Turns out that the company as unaware of what this marketer was trying to do until the agency’s refusal to run the ads.

Lesson for agencies and clients: Think about the potential legal implications of projects before you take them live.

Scary story 3

The client who cried “innovation”Many agency folks spoke of clients who demanded innovative ideas but only ever bought the most offer-focused banners and other kerplunk direct-response programs. What drives this, I think, is a desire to be at the forefront of the industry but ultimately being beholden to very strict performance objectives.
Tens of thousands of brands have tried virtually every sort of digital tactic, but the reality is that a subset of digital is virtually always better at driving DR metrics.
What agency people told me was that this all becomes problematic when clients want the sort of creative campaigns that will serve to “make their career” and “deliver their number.” DR tends not to be sexy like that.
Another respondent told me:

I once worked on an account that asked us to run DR-focused banners on ultra-elite pubs — sites with CPMs $30 or more. We explained that this was unlikely to deliver great DR metrics, but the client persisted. The idea was to enhance the brand image of the service while also delivering some sales. And besides, how do we know it wouldn’t work? When the first performance reports came in, it quickly became apparent that more efficient audience-based buys were far more effective and that brand goals — which weren’t even being measured — weren’t serious considerations for the client. They were wants not needs.

The resulting scramble to refocus dollars proved that old adage, “It’s not a DR campaign until the first reports come in.”
Lesson for clients: For best results, communicate bona fide objectives. Tell us what really matters.
Lesson for agencies: Be strident in alerting clients to bad direction. We are ultimately paid for our expertise, not our agreeable natures.

Scary story 4

Six months of Mars-Venus relationships for want of three Southwest ticketsAn old friend tells me that her agency has had a client for six months and has never met anyone from the day-to-day team face to face.
The client expects to do about $800,000 a year in creative business, and place more than $10 million on banners through Christmas. The account is very low margin for the agency owing to a tough round with procurement, but it keeps a bunch of designers and planners working and gives the shop a modicum of prestige.
My friend is convinced that the work could be much stronger if the agency team felt more ownership and had a better understanding of the business:

Our people would be more energized and do better work if they actually knew the people they present to on conference calls. Issues and problems arise because the people on both sides are disembodied voices to one another.

This client refuses to pay for three airline tickets to send the account person, the creative director, and the lead designer to the home office. They feel it is an unnecessary expense.
The agency and client towns are served by Southwest. I just checked, and the supersaver fare is $59.
I pointed this out to my friend and asked, “Why doesn’t the agency just pay?” The response:

Well, the contract indicates that the client pays for travel. So you may find it penny wise and pound foolish for the agency not to spring for the tickets. But there is a principle at stake. And when you start making exceptions to procurement-driven contracts, the slope gets awfully slick awfully fast.

Hmm. Would a site visit improve the work? It certainly seems worth three $59 tickets plus cab fare to find out.
Lesson for clients: Find a way to get face to face with the agency, especially at the outset of a relationship. It doesn’t cost very much relative to the amount you are probably spending through the agency, and I promise you it will mean better work.
Lesson for agencies: See lesson for clients. And if the terms of a contract are so onerous that you can’t afford a couple of Southwest tickets, don’t take the contract.

Scary story 5

The “huddle” and bad feedbackI once had a remarkably overstaffed client that involved a CMO, SVP of marketing, three VPs, five brand managers, and four assistant brand managers in every creative meeting. Yep, it was a CPG company.
Having lots of decision makers is not an unexpected part of the territory. What generally isn’t is “the huddle,” where agency people are ejected from the meeting to allow the client team to privately debate and discuss the campaign. Ostensibly the huddle is to enable the less-experienced assistant brand managers to speak more freely. I get the idea (though I would point out that in 25 years I have never worked with an assistant brand manager who was afraid to share an opinion). The huddle is also said to ensure that the agency gets one unified set of direction. That is appreciated — but the act of kicking the agency out puts distance between the teams.
While I personally find the huddle off-putting, I understand the desire to talk privately for a short period. What wasn’t reasonable was being made to stand in a hallway for an hour or more while the client team members debated the executions.
The most prolonged huddle was more than three hours. The executions under discussion were Flash banners — DR banners.
What could they possibly have been talking about for three hours?
Lesson for clients: If you want your agency to act in your interests as part of the team, involve its team in discussions. Oh, and contemplating every word in a banner for 17 minutes apiece is a tad excessive.
Lesson for agencies: If something in the client’s process is counterproductive, have the courage to tell them and explain why. We bitched about it amongst ourselves but didn’t explain why it was a problem.
Conclusion
Advertising is a service business, and agencies need to adapt to clients. And it would be wrong to look at the stories above and conclude that the clients always sucked. Certainly in the case of the company that had no intention of paying for services, that was the case.
But to look at all those stories and say it’s the clients fault is destructive behavior.
We all need to be masters of our own destinies, and the desire for short-term harmony shouldn’t outweigh the airing of genuine concerns. It isn’t always the client’s fault any more than it is always the agency’s.
Our role as individual participants in this process is to do what’s right, not what’s easy.
And of course, never, ever, ever forego running a credit check.
Thanks to iMediaConnection for running this first.

Posted on: 11-2-2011
Posted in: Oldest Living Digital Marketer

Top Ad/Tech/Mktg News for 10/14/2011 0


Posted on: 10-14-2011
Posted in: Oldest Living Digital Marketer

What To Say When A Brand Says “No” To Social (Mediapost 9.21.11) 0

We all know that social media is getting bigger and bigger with every passing day, and more brands are engaging in social media every hour, but what about those brands that are still hesitant to get in the game?  What do you say to them?

If a brand is still afraid to get involved in social, it’s because of one of the following “excuses” (and yes, I mean “excuses” because none of these are relevant reasons to stay out of it):

-  “I can’t control my message in social”

-  “There’s no clear way to engage my consumers – its too confusing”

-  “The return on engagement for our resources isn’t there yet”

-  “It’s still too early for us, we want to see what our competitors do”

I love hearing statements like these, and in the last 3 months I’ve heard a number of people say them.  I love hearing these kinds of statements because then I have something to prepare to respond to, and I thought maybe it would be helpful for me to share my responses with you!

First off, if a brand says, “I can’t control my message in social”, you can respond with “Well, how much control do you think you have by NOT being in social”?  The fact of the matter is that consumers are talking about you whether you’re there or not, and by avoiding the conversation you’re simply allowing them to speak in an unbridled fashion about you, and hope for the best.   Additionally, the world has changed and almost without exception, consumers expect their favorite brands to be available in social for their interaction.  This is the way the world is now, and creating loyalty in the eyes of your target consumer means being in social media and engaging them when and where they’re available.  It’s a competitive marketplace out there and if you aren’t speaking with them, you can certain your competition is.

For those brands that utter, “There’s no clear way to engage my consumers – it’s too confusing” I would respond, “Yeah, that was true 6 months ago”.  In the last 6 months, things have settled down quite a bit and it’s much clearer what you can do in social.  You can advertise in social, you can create sponsorships in social (i.e. sponsored tweets and posts) or you can use it as a messaging distribution vehicle through owned assets.  There are lots of companies offering ancillary services like research, reporting and promotion, but for the most part they fit into these 3 categories.   There are also a number of companies that are packaging together these options and making them plug and play for brands, which was inevitable.  As social matures, so does the marketplace and with maturity, comes simplicity.

What about when they say, “The return on engagement for our resources isn’t there yet”?  My response is also quite simple; the ROI is far more wide reaching than what you’re likely looking at.  An effective social media strategy has implications on SEO (it improves them), customer service (it improves them) and overall brand analytics (guess what – it improves them).  Brands who are connected are viewed more favorably by their consumers than brands that are not, and your analysis of the ROI should never be purely against your advertising budget.  It should be against customer retention, efficiency of customer interaction and other elements of the business!

Which leaves us with the last statement, “It’s still too early for us, we want to see what our competitors do”.   I love that kind of statement because it is so clearly incorrect.  When in business is taking no action at all the right action?  You need to be analyzing, testing and evaluating tactics.  You don’t sit idly by and wait for things to just happen.  The world is in flux right now, and success requires you to think ahead, have a plan of action, and implement it.  If the average tenure of a CMO is between 18-32 months, and the average tenure of an agency relationship is 4-5 years, then how does inaction provide you with opportunity?

Of course, there are lots of other statements made by brands, and these are just a few of them.  Join the Spin Board and share with us some of your favorite responses from clients and maybe we can find a way to help answer those!

Posted on: 09-25-2011
Posted in: treffiletti.com

WWCD: Launching A New Advertising Technology Company 0

Lots of new technology company’s launch in advertising every month.  DSP’s, DMP’s, targeting platforms, social platforms, rich media and ad-servers; its almost too many to try and keep up with.  To break through the clutter of the marketplace and secure adoption with agencies and brands can be an arduous task (I know since its what I do for companies), but there’s one very valuable tool in the marketing of a new ad tech company that I can share; it’s your sales people.

Your sales people are crucial hires for more reasons that you probably even know.  The obvious reason is they bring in revenue.  They are responsible for monetizing your platform, they create relationships and they create capital, which your company uses to grow.  All that is extremely important, but you should never overlook just how important they are for the image, perception and awareness of your brand.

Sales people are your first impression in the marketplace.  Your execs may be fantastic, but 9 out of 10 of your customers will not meet the company through your execs, they will meet it through your sales people.  You need to arm your sales people with the right kinds of messaging, a single point of view regarding how your services fit into the marketplace, and the tools they need to create lasting relationships.  Everything they do, everything they say, and every action they take in the marketplace is a reflection on your company, especially in the early days . 

To that end, it is extremely important that you do your homework when interviewing and potentially hiring sales people.  Not only should they be intelligent, energetic and fun, but they need to be responsible, professional and full of integrity.  When you review a potential candidate, don’t forget to check their Facebook page, their LinkedIn page and do a Google search (especially a Google image search) to see what comes up.   You want people who are fun, but not fun to the degree where they could misrepresent you publicly in some manner.  Everyone knows the role of a sales person is to create relationships and sell your product, but relationships are a delicate thing and you want to be able to retain those relationships in the long term. 

Its also good to find out were a sales person has been before, how their previous position ended, and what kind of relationships they are going to take with them in their next roles.  Too often, there are sales people with a history of jumping around and selling their wares as “the best thing since sliced bread”.  After too many of those jumps, their relationships on the agency and client side are toast because everyone knows they’ll be somewhere else in 6 months.  They lose credibility, and once a sales person loses credibility, they’ve lost everything they have that allows them to sell.

Credibility and the ability to create and foster mutually beneficial relationships; these two characteristics transfer over to a company very quickly if the sales person has them as strengths.  In that situation, your marketing efforts, whatever they may be, have an easier time being successful. 

When a VP of Marketing or a CMO enters into a new job with a new advertising technology or media company, they typically will sit down and create a marketing strategy, but they should also sit down and review the assets of the sales team and determine if those assets are in line with the marketing of the company.  If there’s a Chief Revenue Officer or VP of Sales in place, this should be done in conjunction with them, and it should be done right away. 

Sales and marketing typically go hand in hand, but too often it’s about the numbers, and not enough about the characteristics of the teams.  If you’ve got a good plan, but the team isn’t right, nothing you do will be successful.  At the very least, success will be a more difficult up-hill climb than it needs to be.

As for the rest of the secrets I know, those are staying with me for the time being.

How are your sales teams measuring up?

Posted on: 05-8-2011
Posted in: treffiletti.com

When Did AOR Become a 4-Letter Word? (Mediapost 2.2.11) 0

Have you noticed the average tenure for an ad agency relationship is not much longer than the average tenure of a CMO?  The average CMO seems to last about 18-24 months in their role, and the average agency relationship seems to be about 24-36 months.   Somewhere along the way the term “AOR” became a dirty word!

Obviously, but in case you might have forgotten the meaning of the term because of its lack of use, AOR refers to Agency of Record.  In the old days, AOR was a statement of trust and commitment between agency and client.  AOR’s were long-lasting and they meant your client trusted you, empowered you for success and were willing to let you work on their business for the long run.  In those “old days” some AOR relationships lasted as many as 40 years!  Before the birth of the Internet, an AOR relationship meant you could count on that business for at least 5-7 years, and probably for closer to 10, assuming that nothing detrimental to the business happened.   It meant you would staff a solid team against the business, you could count on the work to keep them busy, and you could plan a strategy that saw further out than 6 or 12 months.  

The AOR status has quickly become a relic of the past.  An anachronism of a bygone era. 

These days the relationship between client and agency rarely lasts longer than the tenure of the CMO, or the key decision makers on the team.  From one side of the business, Wall Street manages the future and Wall Street doesn’t like a long-term commitment to expenses.  Too many businesses manage their P&L on a 3-6 month cycle, and marketing budgets bounce more than a 4-year-old on a backyard trampoline.   On the other side, client teams don’t last that long, either being promoted into new positions or changing companies to look for new opportunities.  As teams change, new executives come in and they rarely respect the previous decisions and are known for “bringing in their own”.  This is a fact of corporate America and not one that can be readily refined.

Of course, agencies are to blame here as well.  Agencies focus much of their time on the tactical execution and have lost the art of account management, but in their defense its difficult to manage an account and build a personal relationship with the key decision makers when budgets are thin and its all they can do to maintain their slim margins.  

Regardless of where the blame lies, or who has the most input on the factors that shape the environment, the fact is that fewer and fewer agencies are getting an AOR stamp on their relationships and more are doing project work.  Project work can be profitable for the agency, but its difficult for the clients to have a long-term strategy when their partners aren’t locked in as well.  Managing multiple partners, or vendors as the relationship may state, means less time focusing on the execution of the strategy and the achievement of the business metrics.  AOR serves a great purpose in that it creates continuity and establishes a team with accountable roles.  It also means that you’re team is empowered to try things that may not work, but are calculated risks in favor the brand.  When you don’t have a long-term commitment from your partners, you play to not lose rather than play to win.  Playing to win sometimes mean you take a big swing, and miss.  Playing not to lose means you play it safe and just try to put the ball in play. 

From my point of view, I like to play to win.

Don’t you agree? 

 

Posted on: 02-4-2011
Posted in: treffiletti.com

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