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All Posts Tagged Tag: ‘New York’

Home / Tag: New York

How to thrive as a second city agency 0

For decades, three markets have consistently dominated the ad sector — New York, LA, and Chicago — yet a growing percentage of industry dollars are coming from other cities that aren’t historically associated with the advertising and media businesses. These are the second cities.
How to thrive as a second city agency
I use the term “second cities” with respect and affection (and in the same spirit as the name of the leading comedy troupe in the country). By second cities I mean markets like Atlanta, Dallas, Charleston, Minneapolis, and Seattle where some strong agencies are based. (San Francisco straddles the line — it is far smaller than the “big three,” yet it is home to a number of major agencies and offices.) This piece is about such agencies — shops trying and, in some cases, succeeding as major national players. Some say second city agencies face different challenges and opportunities. Let’s take a look at what it means to be second city, and whether it matters.

Getting into pitches


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Winning new business has always been a primary concern for agencies, wherever headquartered. For this article, I spoke with 23 people and most acknowledged that being a second city can affect their ability to get into pitches.
A leading pitch consultant, who asked not to be identified, believes the reluctance of some brands to consider second city agencies stems from perceptions about scale and expertise, in addition to vanity.
“It can be hard to convince some clients to consider [a] second city agency because of fear they lack the resources [and] expertise to serve major accounts. They may also question whether an agency keeps up with digital innovation. Sometimes it comes down to emotional factors, like wanting to feel ‘big time’, or reluctance to travel to ‘Omaha’ for meetings.”
Quite a few of the folks I spoke with acknowledged that they get their share of questions regarding resources. Most believe that this sort of concern is an issue of perception versus reality.
Tamara Bousquet, Executive Media Director for San Diego-based MEA Digital, said:
“I’d bet my job that our work, our people, are better than most that come out of leading cities and shops.  Our clients, who have been working with us for 4 plus years, 8 plus years, are getting better work than they’ve received at other agencies. These long-standing partnerships are proof of our staff and agency’s excellence.”
Smart second city agencies recognize opportunities to take advantage of their location by differentiating themselves from the dozens of medium-sized New York shops. Consider Richards Group — it’s spent years selling Dallas as a reason why they are so adept at persuading Middle America.  

Recruiting and retention


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When you run an agency, you need a host of skills sets. Many people with desirable skills choose to live in leading ad markets. That being said, a number of great people are unable or unwilling to live in Chicago, Santa Monica, or Chelsea.
Such people are not evenly distributed in every city and town. It’s certainly no accident that many agencies locate in tech hubs and college towns with strong technology and marketing programs. Steve Parker, Jr., co-founder and managing partner of Levelwing, pointed to Charleston as a perfect example: 
“Our largest office is in Charleston, SC. Although many see Charleston as a destination for vacation, it is home to some large and highly sophisticated technology businesses such as Blackbaud, Benefitfocus and Boeing.  Additionally, many software companies are based here. Colleges such as The Citadel, Charleston Southern University and College of Charleston are part of our community.  Close-by Clemson University and the University of South Carolina have strong mathematics, engineering and technology programs.  In December 2009 Forbes rated Charleston as the 8th Smartest City in the World.”
This leads us to the subject of salaries and retention. There’s an urban legend about an AMP who started in Manhattan making $13,000 a year, lived with 11 others in a studio, and ate nothing but ad-network-branded Tic-Tacs for a year. In reality, ad people in the top markets make significant coin. But when you buy your Tide at Gristede’s, the “fat” paycheck doesn’t go far. Most second cities are far less expensive. The chart below calculates the cost of living equivalent to $75,000 a year in Manhattan.
Those I spoke with emphasized that rather than offering people a precisely equivalent salary, they pay people to have a better life. Credit altrusim and the reality that an Atlantan wouldn’t be willing to live in an apartment where they can stand in the center and touch all four walls.
No one I interviewed said that being in a second city automatically made for greater employee commitment, but several said that the issues facing major markets don’t reflect their daily experience. According to Bousquet:
“I’m not dealing with the ‘entitled’; those who think because they’ve worked in this business for 6 months they deserve a raise and a promotion.  Our folks appreciate the opportunity to do great work on great brands with great people; we don’t deal with the ego of younger employees that many large agencies in large cities say they deal with daily.  In fact, our average employee tenure is 3+ years and that’s something we’re proud of.”

Second cities and specialization


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Detroit and Las Vegas are two markets highly focused on business verticals. While agencies there work across many sectors, they are most known for auto and hospitality respectively.

Shawn Rorick, President of LVIMA, suggested that hospitality defines a big part — but not all — of Vegas.

“It’s a safe bet that an agency in Las Vegas is going to really understand the travel business. There are many world class experts in that sector here. Las Vegas marketers in particular can be more adept in getting insights through data collected by the casino/resorts.  Recession made our community of professionals even sharper because it requires the utmost sophistication to maximize ROI.”
Lissie Heinkele, a long time Detroit agency leader, considers regional expertise as particularly relevant.
“In auto, the three tiered marketing environment — national, dealer associations, dealers — is absolutely central to the business of moving metal. But there’s more than that. Auto marketing is some of the most sophisticated in digital. You can more readily find uberexperts here. There’s also a passion — many of us are true “gearheads.” When you’re amping up for a major launch, having that passion for cars brings out the best in programs.”
Being known for a segment has its challenges. “Sometimes people think we are all travel, all the time,” Rorick said. “That can be a hindrance when you are working toward broadening your category base.”“It can be challenging for agencies to overcome the ‘category town’ perception. But many Detroit agencies have clients far afield from the auto world. They serve these clients very well,” Heinkele said.

oing business with partners


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Many agencies in smaller markets report that fewer vendors visit them. These agencies experience fewer phone calls, “drop bys,” and requests for meetings. Thus, it is arguably harder for second city shops to keep abreast of important developments because the companies creating them don’t come knocking as often. While the internet certainly eases the strain, second city folks have to be more proactive about pursuing knowledge.
From the sell side, there appears to be great business in serving second city agencies. “It costs you a little more to get a rep to Dallas. But it’s worth the expense. When you make the effort you find a high level of ‘engagement’ from the agency teams in those markets.” said John Durham, CEO of Catalyst S+F and a long-time digital solutions sales leader.
Durham also notes that there is also a perception that second city professionals are better mannered.
“I appreciate manners. Agencies in smaller markets generally show a high level of professionalism. Mutual respect. It runs the gamut, but when you call on an agency in a second tier market, chances are the people will show up and engage.”

 
Adam Bergman, Senior Account Executive for Yume, emphasized that there is real money to be made in such markets:

“Some of these agencies are a heckuvalot bigger than they seem. Being in New York doesn’t necessarily mean a shop is big; being in a ‘second tier’ market doesn’t prove that an agency is small. Additionally, many of these agencies are careful to stay at the bleeding edge of the industry — to ‘prove’ that you don’t need to be in Midtown to be redefining and shaping the industry.”
More sellers are seeking local people to serve these second cities. Lynn Ingham, a leading digital marketing recruiter, argued that it’s harder — but not impossible — to find great people in these markets.
“Many top-notch digital sellers are in the big three markets. There are a few in the other cities, but you need to dig deeper to find them. Over time we’re seeing more great sellers native to these markets, and leading sellers trained in the big three markets deciding to move to other cities for a plethora of reasons.”
Lori Xeller, Director of Digital Sales at Republic Media in Phoenix, believes the talent is definitely out there.
“It’s true that the total pool of digital sellers might be smaller than a major market like LA or San Francisco, but they ARE out there. We’ve built a strong team by constantly keeping our eyes open for great talent and creating real career paths to keep our A players satisfied and growing.  I’ve found that our digital sellers are focused on being long-term digital consultants for their clients so they have deep relationships.  They are loyal to their clients and with their internal teams.” 

Managing the exit


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Many second city shops are independents, and some hope one day to sell to a holding company. Proximity helps when you are trying to make your business known to would be acquirers. Mark Naples, managing partner of strategy and communications firm Wit Strategy, underscored the importance of developing a prominent agency profile. 
“There are so many solid agencies out there.  Getting noticed by would-be acquirers requires a clear strategy that will generate a distinct identity, rather than more broad awareness.  For example, at the height of its powers a few years ago, CP+B had Alex Bogusky as the tip of its spear, smirking to us knowingly from the covers of national magazines.  But, what is CP+B’s identity today?  For non-New York based agencies, it’s harder to pull off getting the right kind of notice because proximity within a roughly 50 block radius drives a large measure of perceived importance to the trades and the holding companies. If the cool kids aren’t seeing you on their playground, it’s harder for them to accept that you might be cool too.”

What clients say about second city agencies


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When asked to draw some general distinctions, most of the clients I spoke with were careful not to make assertions beyond the experience they had with a particular shop. Most said that location had no real impact on the quality of work and relationship and that it’s about the agency, not the city.
One acknowledged that the out of town “thing” did affect the perceptions during the pitch, but that daily experience with the team quickly mitigated their concerns:
“You always have vibes, gut feelings, and concerns when you are picking an agency. During our last RFP, we questioned whether a non-New York agency would ‘get’ fashion. We ultimately chose them because they seemed like they’d be great to work with. They really are.”
Perhaps that’s a fitting conclusion. After all, we are in the perception business. Although it may not be a “real issue,” it is a genuine concern for some. Despite this, many second city shops are succeeding because ultimately what matters most is the quality of the team, not the address.ty shops are independents, and some hope one day to sell to a holding company. Proximity helps when you are trying to make your business known to would be acquirers. Mark Naples, managing partner of strategy and communications firm Wit Strategy, underscored the importance of developing a prominent agency profile.
Thanks to for publishing this first.

Posted on: 04-7-2012
Posted in: Oldest Living Digital Marketer

I Mourn The Record Store (Mediapost 11.16.11) 0

Sometimes I mourn the simple things – the things that I miss from the old days.  For example, I mourn that your kids may never enter a record store.  Ever.

My boys will – I’ll make sure of that.  Music has been an enormous part of my life from when I was just a baby, and one of my favorite things to do was to browse the aisles of a record store for hours, discovering artists and inspiration from the most unusual of sources.  I used to buy records based on the recommendations of friends, or articles and reviews I read or, on occasion, just because I liked the cover art.   For better or for worse, that kind of intimate, personal experience is long forgotten because of digital (at the very least it is rarely a personal experience and more for the mass of bloggers who proclaim to be experts in new music).  You can still get reviews, but the tangible quality of a record store is almost forever lost.

Of course I feel like a hypocrite because I also love digital music.  Its easier to get, easier to store, and easier to share.  I discover music these days in an even easier fashion, from the comfort of my living room, but it’s still not the same as the smell of vinyl and paper that washes over you when you walk into Amoeba Records in San Francisco or Generation Records in New York.  I used to spend hours each week just trolling the new releases and the historicals to unearth some treasured artifact that would give my ears a taste of something they were missing.  When I was a kid, I used to sit for hours reading the liner notes of albums that my parents had collected.  I still remember three of the most influential albums in that collection; Sgt. Pepper, Zeppelin II and Sticky Fingers, by the Stones.  Those are three examples of records as art, not just the music, but the 100% delivery from cover all the way through.  They were the kinds of albums you’ll never see again.  You may hear them, but you’ll never see them.

If Steve Jobs were still with us, I think he would be plotting a way to bring the album back.  He may have pioneered the wave of digital music with the iPod, but I bet he still would have loved to find a way to recreate the physical record store at some point.  In some future day he would have mourned that experience like I do, and found a way to give it back to us.

If not Steve, then maybe one of you will figure it out.  Maybe you can find a way to revolutionize the delivery of the music in the digital age.  Artists like Radiohead keep trying; by delivering the digital at one stage, followed by the collectible closely behind.  The buzzword of the day is “Deluxe Edition”, which translates to overpriced, over-stuffed packages of extras that either add or detract from the music.  These packages are for the collectors and the die-hards.  The true fans.  What about the casual observer?   How are bands going to attract the new fan?  The one who would have taken a flyer on them because the cover art spoke to them or because they “sound like” someone they know and appreciate?  Maybe digital does deliver that audience, but maybe it doesn’t.  Maybe the tangible experience of music is gone from the album, and has settled in the live show.  Maybe what Prince does is right; give your albums away to ticket buyers, or even newspaper buyers.  Flood the market with free albums, in hopes that your live shows will become the preferred experience.  That may work, but not for everyone.  I love live music more than the next guy, but I can’t go to every show anymore – there’s simply not enough time in the week!

I don’t know what the answer is, and after reading this you may not even be certain of the question, but what I know is that when my boys are old enough, they will be going with me to a record store.    They may not know why, and they may not know what to do when we get there, but they’ll figure it out.  I’ll be sure to show them.

Posted on: 11-20-2011
Posted in: treffiletti.com

Start-Up Watch COD: SundaySky enables websites to create dynamic personalized videos on the fly 0

Video is among the fastest growing media sectors in digital, and for good reason. Sight, sound, and motion all rolled into one.  
The downsides of video, of course, have always been the amount of time and money it costs to produce a high quality execution. While the development process has been greatly democratized over the past several years, most brands still view video as a “major production” (pun intended.) Additionally, videos have always been a lot harder to update than, say, text. And when you do those updates, you go back to the time and money challenges.
A Tel Aviv and New York based company called  has developed a remarkable new platform that enables web sites to offer personalized videos of site content on demand. The technology gathers assets from pre-defined locations in real time, and assembles them in professional looking templates that Sunday Sky develops for clients.
So, for example, an online store could offer a video for every product it sells by using the platform and defining the locations of  images and text fields that would be assembled during the video call. The consumer visits a site, sees an item that captures their interest, presses play for a video, and Sunday Sky grabs the latest photos and text from the CMS and mashes them up in an attractive video that highlights the item.
The process-oriented among you are probably beginning to see the tremendous power here. Say you sell 500 types of candles on your web site. You have a CMS that delivers text and photos to your pages in a common format. Well, by telling Sunday Sky where to get the latest content about an item in the CMS, the platform can instantly make a video of EVERY CANDLE available. One template, multiple items and asset calls. And when you update the content in the CMS, future video calls for that item will reflect the NEW text.
Ingenious!
Of course what works for 500 items also works for 500,000 items.
And that’s just what SundaySky can do on the simplest level. A web site could also have a template made that enables a user to compare different items of their choice, or one that grabs the latest user ratings and comments for an item. The videos are pretty nice lookin’. To ensure this, Sunday Sky has a team of creative talent that hand prepares a template for your needs at the beginning of your engagement with them.
It’s easy to see how this works for e-commerce. But it can also be very relevant for content and social sites as well. For example, the platform could take a news story and associated photo assets and assemble them into an engaging video experience. And since news sites also use CMS systems and common templates, the results could be just as universal and compelling.
Additionally, imagine the power of enabling individual users to have their own personalized profile videos based upon content they make available!
Here’s their value prop vid:

I’m not the only one who’s impressed. The company has already garnered a variety of large and niche sites as clients. One place you can see the fruits of this technology is on Overstock.com. Click  and then click the video tab for an example.
Great production values, broad appeal, and a remarkably simple implementation make this solution and company worth watching in the months and years ahead.

Posted on: 09-25-2011
Posted in: Oldest Living Digital Marketer

Start-Up Watch COD: ChallengePost and the phenomenon of crowd sourced innovation 0

When I started in advertising, I worked on a brand that challenged P&G in one of its core categories. We developed a great product and started rolling it out region by region. The product was a triumph of an incredible team of six household product scientists.
Unfortunately, Procter developed a better product in about four months, and rolled it out nationally before we hit 40% ACV. For you see, not to diminish the fact that Procter always attracts great individual scientists, they ALSO had about 300 of those great scientists working in the category. In one day they logged 50X the “man hours” our team did. When focused on developing a product better than ours, they were able to unleash the power of numbers.
Fast forward 20-mumble years. Procter is one of the leaders in crowd sourced innovation, having developed a multimillion dollar platform that enables anyone – yes, anyone – to submit product ideas designed to addressed challenges the company pre-identifies.
Of course, many of the best ideas come from vendors. But the principle of unleashingeveryone against a challenge is merely the logical endgame for a principle I witnessed and got clobbered by more than a couple of decades ago.
Fortunately for the rest of us, a NYC-based start-up called  has created a crowd sourced innovation platform that lets virtually any organization or company benefit from strength in numbers.
The platform enables an organization to post a challenge, set a prize for the best entry(ies), and manage the process of collecting and evaluating ideas quickly and easily.
As part of the challenge the organization can provide a variety of different kinds of inputs for use by the would be innovators. For example, several of the major programs delivered thus far were focused on the development of apps that leveraged sponsor-provided data sets.
For example, the City of New York made available a broad range of data sets and asked people to develop apps to solve city problems. Similarly, the US Department of Agriculture posted data sets related to the nutritional value of foods as part of a challenge to help encourage kids to make healthier food choices.
Contestants ask questions and submit ideas along with relevant presentation materials using ChallengePost’s robust platforms. Participating organizations can choose which ideas to post as part of audience voting, as well as curate entries for a professional judging organization.
ChallengePost offers three levels of service at different price points:
  1. Basic service offers a sub domain and a variety of communication tools to publicize your challenge and keep people abreast of progress. This option also gives you access to the platform’s robust challenge management tools.
  2. Premium service enables you to use any domain and enables the sponsoring organization to customize forms and other features so as to tailor the offering to the precise parameters of a challenge. You also get access to greater publicity tools, as well as community features that encourage greater participation and collaboration.
  3. Platform level service enables an organization to run multiple challenges, provides more complete customization, and even enables company employees to post specific challenges if desired.
In addition to the quality of solutions that have been developed in challenges thus far, the company points to a tremendous return on investment using this approach. By empowering virtually anyone to respond to challenges, and by making all submissions the property of the sponsoring organization, the platform often yields ROI well in excess of 20X.
I adore this concept. I don’t know how else to say it. The idea of crowd sourced innovation is of course very sound. And the application of industry standard submission and management tools gives virtually any organization to solve important challenges through the power of the crowd. Great stuff.

Posted on: 09-25-2011
Posted in: Oldest Living Digital Marketer

Start-Up Watch COD:Encore Media Metrics provides measurement, attribution, and reporting for paid, earned and owned media 0

Over the past several weeks I have put up a number of posts on attribution and the role of earned media in overall marketing performance. I am convinced that BOTH will be recognized as critical considerations by more and more brands in the months and years ahead.

is a New York- and Texas-based SaaS solutions provider that offers campaign measurement, attribution and reporting to brands and agencies. Encore’s solution addresses the total scope of digital measurement and attribution. In addition to attribution for paid and owned media, Encore also offers a patent-pending solution to attribute credit to social media.

While Encore is a new company, its solution is not. The underlying platform was developed over the past five years by the founder’s former agency as a proprietary service for its clients. With the recent sale of the agency, the technology was spun out and Encore was launched as a standalone business that can service any brand or agency seeking to drive more effective online marketing.

Attributing value to the marketing vehicles at the top of the funnel – like banners – is essential if brands are to maximize their total sales and profit. Too often, brands focus the bulk of their resources at the bottom of the funnel, because simple last click attribution models overweight bottom of the funnel activities.

This leads to volume plateaus because the number of people at the bottom of the funnel is directly related to the number being brought in at the top. No matter how effective your bottom of the funnel tactics are, if fewer people are beginning the conversion process, fewer still will finish.

According to Encore, attributable credit for display ads may be 50-400% higher than a last-click report would show. Even at the low end of that range, that’s a big delta, and may be just the sort of factor that is holding your brand back from greater success.

There appear to be four pillars to the value proposition here:

1. Full funnel attribution. The revenue impact of all tactics is measured with an advanced attribution model that recognizes the importance of awareness and consideration drivers in addition to the conversion tactics.

2. Social media attribution. Rather than simply focusing on paid media tactics, Encore Metrics also measures and reports on the impact of various social media activities within the overall campaign ecosystem. As social takes an increasing portion of the total budget, this is an absolutely critical task.

3. SaaS model. Encore metrics is a cloud-based solution that agencies can plug into without changes to their infrastructure, and it can integrate with existing ad management tools like DFA and Atlas.

4. Affordability. Perhaps because their founders are so familiar with the financial dynamics of the ad biz, they have priced the platform aggressively. They claim that even small agencies can avail themselves of this solution.

I’ve seen some of their reports, and was impressed by how clear, simple, and succinct they present information. This is also very important in an agency world of fewer people analyzing increasing amounts of information.

No one can predict the impact that accurate attribution could have to your bottom line. But research indicates that it could be significant. Encore Metrics offers a viable solution to consider as you work to capture some of that heretofore wasted value.

Thanks to ad:tech for publishing this first.

Posted on: 04-16-2011
Posted in: Oldest Living Digital Marketer

COD: Garmz.com Out to Upend the Fashion Pyramid 0

Most of us recognize that the best innovations come from small companies – people with dreams who believe that they have a better way of doing things.

That’s the idea behind , a new site that lets up-and-coming designers upload their ideas and have the community vote, give feedback, and buy their creations.


I tell you, global is the name of the game here. During my recent visit, the featured fashions were from Bulgaria, Suriname, Belarus, Romania, German, New York, and London, just to name a few.

What makes it a boon to the budding designer is that their designs compete head to head with those from around the world. Site members vote and give feedback on components of an item and the overall look. The designs with the most feedback are actually put into production — at no cost to the designer — and the site and designer split the proceeds. Designers can either use human templates from the design kit or make their own. A cool little “safety pinning tool” lets the designer attach comments about fabrics etc. that can be viewed on rollover.

If you are ready to buy a chosen creation, you can review prototype photos and place your order right on the site. This Vienna, Austria based company even offers free returns to EU residents.

Design presentation is simple and elegant. Stylized illustrations make you want to explore and explore and explore. The illustration style itself calls to mind those amazing Bonwit Teller ads in the late 1950s and 1960s.

By enabling new designers to showcase their ideas to large audiences, Garmz is out to change the top down status quo in fashion. In so doing, it’s clear that they are going to drive a great deal of innovation!

Posted on: 01-5-2011
Posted in: Oldest Living Digital Marketer

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